Revisiting “Retranslation Hypothesis”: A Comparative Analysis of Stylistic Features in the Persian Retranslations of Pride and Prejudice

Abstract

In the context of literary translation studies, a translation can be challenged at any time, which may lead to its retranslation. According to “Retranslation Hypothesis”, first translations tend to be more target-oriented than subsequent, more recent translations. Retranslations, the hypothesis claims, get closer to the source text, resulting in a more accomplished target text. Several different factors are found to make “Retranslation Hypothesis” possible. Yet the extent to which the Hypothesis is supported by empirical evidence is in question. Thus, the present study, in order to test the validity of “Retranslation Hypothesis” and supplementary nature of retranslations over time, as stated by Robinson (1999), selected three chapters of Austin’s classic novel, Pride and Prejudice (1813), together with its first and subsequent translations into Persian. The comparative analysis of three stylistic features (type/token ratio, average sentence length, speech representation) between the source and the translated texts was underpinned by Baker’s (2000) and Short’s (1996) methodologies for investigating style as a means of measuring degrees of closeness or divergence, and charting the treatment of the retranslation over time. In partial support of “Retranslation Hypothesis”, the findings of this study revealed a more source-text oriented nature for re- translations in an attempt of the translators to keep the original stylistic features intact. Thus, it can be claimed that the Hypothesis is valid to some extent in this respect. The findings of the present study may prove to be useful to the professional translators of foreign literary works in that they show the prevailing approach applied by the first and later translators. In addition, the findings can be of great help to the publishers and editors of literary translations, in terms of the necessity of producing retranslations over time or reprinting first translations.

Share and Cite:

Dastjerdi, H. & Mohammadi, A. (2013). Revisiting “Retranslation Hypothesis”: A Comparative Analysis of Stylistic Features in the Persian Retranslations of Pride and Prejudice. Open Journal of Modern Linguistics, 3, 174-181. doi: 10.4236/ojml.2013.33024.

Conflicts of Interest

The authors declare no conflicts of interest.

References

[1] Austin, J. (1813). Pride and prejudice. www.manybooks.net
[2] Baker, M. (2000). Towards a methodology for investigating the style of literary translator. Target, 12, 241-266. doi:10.1075/target.12.2.04bak
[3] Bellos, D. (1994). Some like it hot: Hot and cold translations. The Burns Conference.
[4] Bensimon, P. (1990). Presentation. Palimpsestes, 4, ix-xiii.
[5] Berman, A. (1990). La retraduction comme espace de traduction. Pal impsestes, 13, 1-7.
[6] Brownlie, S. (2006). Narrative theory and retranslation theory. Across Languages and Culture, 7, 140-170. doi:10.1556/Acr.7.2006.2.1
[7] Butler, C. (1985). Statistics Linguistics. Oxford: Basil Blackwell.
[8] Chesterman, A. (2000). A casual model for translation studies. In M. Olohan (Ed.), Intercultural Faultlines, Manchester: St. Jerome.
[9] Dean, S. H. (2010). Retranslations of Gustave Flaubert and George Sand in the British Literary System. Ph.D. Thesis. http://www.Llc.ed.ac.uk/graduateschool/translationstudies/Sharon.htm
[10] Gambier, Y. (1994). La Retraduction, re Tour et de Tour. Meta, 39, 413-417. doi:10.7202/002799ar
[11] Hadizade, S. (2009). An investigation into “retranslation hypothesis” a study of the degree of visibility in literary translation. Unpublished M.A. Thesis, Sheikh Bahaiee University.
[12] Koskinen, K., & Paloposki, O. (2003). Retranslation in the age of digi tal reproduction. Cadernos, 1, 19-38.
[13] Koskinen, K., & Paloposki, O. (2004). Thousand and one translations: Revisiting Retranslation. In G. Hansen, K. Malmkjaer, & D. Gile, (Eds.), Claims, changes and challenges (pp. 27-38). Amsterdam: John Benjamins.
[14] Koskinen, K., & Paloposki, O. (2010). Reprocessing texts. The fine line between retranslating and revising. Across Languages and Cultures, 11, 29-49. doi:10.1556/Acr.11.2010.1.2
[15] Michelson, P. (1990). Reading pride and prejudice. Eighteenth-Century Fiction 3.
http://digitalcommons.mcmaster.ca/ecf/vol3/iss1/1 doi:10.1353/ecf.1990.0049
[16] Milton, J. (2001). Translating classic fiction for mass markets. The Brazilian clube do livro. The Translator, 7, 43-69.
[17] Missíková, G. (2003). Linguistic stylistics. UKF: Nitra.
[18] Pym, A. (1998). Method in translation history. Manchester: St. Jerome.
[19] Reni, E. (2007). The presentation of speech and thought in Jane Aus ten’s “Pride and Prejudice” and in Joe Wright’s Film Adaptation. Munich: GRIN Publishing GmbH.
http://www.grin.com/en/e-book/85409/the-presentation-of-speech-and thought-in-jane-austen-s-pride-and-prejudice
[20] Robinson, D. (1999). Retranslation and ideosomatic drift.
www.umass.edu/french/people/profiles/documents/Robinson.pdf
[21] Short, M. (1996). Exploring the language of poems, plays and prose. London: Longman.
[22] Short, M. (2005). Corpus stylistics: A corpus-based study of speech, thought and writing presentation in narratives. London: Routledge.
[23] Schulte, R., & Biguenet, J. (1992). Theories of translation. An Anthol ogy of essays from dryden to derrida. Chicago and London: The Uni versity of Chicago Press.
[24] Susam-Sarajeva, S. (2003). Multiple-entry visa to travelling theory: Re translations of literary and cultural theories. Target, 15, 1-36. doi:10.1075/target.15.1.02sus
[25] Vanderschelden, I. (2000). Why retranslate the French classics? The impact of retranslation on quality. In: M. Salma-Carr (Ed.), On Translating French Literature and Film II. Amsterdam/Atlanta: Ro dopi.
[26] Vándor, J. (2010). Adaptation and retranslation. Ph.D. Thesis, Buda pest: Eotvos Lorand University. http://www.doktori.btk.elt.hu/lingv/vandorjudit/thesis.pdf
[27] Venuti, L. (2003). The translation studies reader. London: Routledge.
[28] Wright, B. (2010). “Pride and Prejudice”—An analysis of narrative technique in Jane Austen’s classic novel. http://EzineArticles.com/?expert=Ben H

Copyright © 2024 by authors and Scientific Research Publishing Inc.

Creative Commons License

This work and the related PDF file are licensed under a Creative Commons Attribution 4.0 International License.