"Comparison of Western Music and African Music"
written by Givewell Munyaradzi, Webster Zimidzi,
published by Creative Education, Vol.3 No.2, 2012
has been cited by the following article(s):
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[1] Clashes between Indigenous African FolkMusic and Modern Music in the Africa Continet
[2] Impact of Music on Working Memory in Rwanda
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[3] Music in selected play productions of Wole Soyinka and Femi Osofisan
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[4] The geometry of musical rhythm: What makes a" good" rhythm good?
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[5] ComMute—Towards a Computational Musical Theory of Everything
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[6] The Societal Value of Art and Music in the Bapedi Culture and the Implications for Music in Healing as a Cultural Phenomenon
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[7] Music, Social Change and Social Process among the Yoruba in Southwest Nigeria: A Theoretical Discourse
UNIUYO Journal of Humanities (UUJH), 2018
[8] South African popular music of the 1980's and the role of the Graceland Project: A case of International (USA-RSA) collaboration and co-production
2018
[9] African Rhythm as the Foundation of Contemporary Bass Performance
2018
[10] Brecht in pidgin: Oladipo Agboluaje's mother courage in Africa
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[11] A Framework for Synthesis of Musical Training Examples for Polyphonic Instrument Recognition
2018
[12] Music in the spaces of the 21st century
2016
[13] Re-imagining Bertolt Brecht, redefining British Theatre: Oladipo Agboluaje's Mother Courage
2016
[14] Quantifying Musical Meter: How Similar are African and Western Rhythm?
Analytical Approaches to World Music, 2015
[15] ARTISTIC ELEMENTS IN THE FESTIVALS OF THE EFFUTUS-GHANA
2015
[16] On the Question of Meter in African Rhythm: A Quantitative Mathematical Assessment
Proceedings of Bridges 2013: Mathematics, Music, Art, Architecture, Culture. Tessellations Publishing, 2013
[17] The Future of Music