New Impressionist Photography
— A Complex Network Perspective on Abstract Art
Throughout the history of western painting and photography art, art has been far away from the public for too long! Over the past 100 years, the self-emotional aesthetics of the extremely left leaning modernist are be-coming more and more dominant, but they also divorced from the general aesthetics of the public. Photography is a well-loved art and deserves to be loved by the public. Impressionist photography has a wide range of subjects, which, like impressionist painting, comes from daily life, but technically places too much emphasis on fuzzy technology to achieve the purpose of highlight-ing the main impression.
Sample Chapter(s)
Preface (56 KB)
Components of the Book:
  • Preface
  • Chapter 1. Theory of new impressionist photography
    • 1.1. Introduction
    • 1.2. Sects of photography
    • 1.3. The generation of new impressionist photography
    • 1.4. Theory of new impressionist photography
    • 1.5. Summary
  • Chapter 2. Practice of new impressionist photography
    • 2.1. Introduction
    • 2.2. Origin of new impressionist photography
    • 2.3. Aesthetic Psychology
    • 2.4. Practice of new impressionist photography
    • 2.5. Summary
  • Charter 3. A complex network perspective on abstract art
    • 3.1. Introduction
    • 3.2. Appreciation of the beauty
    • 3.3. Subconsciousness
    • 3.4. Abstract photography
    • 3.5. Complex network
    • 3.6. Fibonacci sequence
    • 3.7. How to express emotions
    • 3.8. Summary
Readership: Students, academics, teachers and other people attending or interested in New Impressionist Photography.
1
Preface
Zou Sheng-Rong
PDF (56 KB)
1
Chapter 1. Theory of new impressionist photography
Zou Sheng-Rong
PDF (4914 KB)
13
Chapter 2. Practice of new impressionist photography
Zou Sheng-Rong
PDF (4171 KB)
33
Charter 3. A complex network perspective on abstract art
Zou Sheng-Rong
PDF (9118 KB)
Sheng-Rong Zou
Yangzhou University, Yangzhou, China

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