Fostering Creativity through Education – A Conceptual Framework of Creative Pedagogy
Yu-Sien Lin
.
DOI: 10.4236/ce.2011.23021   PDF    HTML     31,616 Downloads   66,667 Views   Citations

Abstract

Capacities and qualities of creativity have been identified by researchers and strategies in fostering children’s creative thinking skills were proposed to create supportive environments in an educational setting. There is little consistent rhetoric, however, among these insights and strategies concerning different aspects of fostering creativity. In light of this, a three-element framework of creative pedagogy is proposed to offer a more holistic view of enhancing creativity through teaching, to cover the aspect of creative learning which was overlooked in the past, and to provide a different explanation to some arguments about teaching creativity. This framework is also a starting point for studies which intend to understand the teachers and pupils’ responses to creative pedagogy, and to provide implications for applying creative pedagogy in a classroom and in Asian context as well. In the end, several possible routes are suggested for future research in creative pedagogy.

Share and Cite:

Lin, Y. (2011) Fostering Creativity through Education – A Conceptual Framework of Creative Pedagogy. Creative Education, 2, 149-155. doi: 10.4236/ce.2011.23021.

Conflicts of Interest

The authors declare no conflicts of interest.

References

[1] Amabile, T. M. (1996). Creativity in context. Boulder: Westview Press.
[2] Armstrong, T. (2000). Multiple intelligences in the classroom. Alexandria, VA: Association for Supervision and Curriculum Development.
[3] Baer, J., & Kaufman, J. C. (2006). Creativity research in English-speaking countries. In J. C. Kaufman, & R. J. Sternberg (Eds.), The international handbook of creativity. New York, NY: Cambridge University Press.
[4] Chen, L. (1997). Teaching for creative thinking. Taipei: Shtabook.
[5] Chen, L. (2008). Theories and practices of teaching for creative thinking. Taipei: Psychological Publishing.
[6] Cheng, V. M. Y. (2004). Progress from traditional to creativity education in Chinese societies. In S. Lau, A. N. N., Hui, & G. Y. C. Ng (Eds.), Creativity: when East meets West. Singapore: World Scientific.
[7] Cheng, V. M. Y. (2010). Tensions and dilemmas of teachers creativity reform in a Chinese context. Thinking Skills and Creativity, 5, 120-137. doi:10.1016/j.tsc.2010.09.005
[8] Choe, I. S. (2006). Creativity—A sudden rising star in Korea. In J. C. Kaufman, & R. J. Sternberg (Eds.), The international handbook of creativity. New York, NY: Cambridge University Press.
[9] Collins, M. A., & Amabile, T. M. (1999). Motivation and creativity. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge: Cambridge University Press.
[10] Craft, A. (2000). Creativity across the primary curriculum: Framing and developing practice. London: Routledge.
[11] Craft, A. (2001a). Little c creativity. In A. Craft, B. Jeffrey, & M. Leibling (Eds.), Creativity in education. London: Continuum.
[12] Craft, A. (2001b). An analysis of research and literature on creativity in education. Qualification and Curriculum Authority, URL(last checked 12 August 2007) http://www.ncaction.org.uk/creativity/creativity_report.pdf
[13] Craft, A. (2005). Creativity in schools: Tensions and dilemmas. London: Routledge. doi:10.4324/9780203357965
[14] Craft, A. (2007). Possibility thinking in the early years and primary classroom. In A. G. Tan (Ed.), Creativity: A handbook for teacher. Singapore: World Scientific. doi:10.1142/9789812770868_0013
[15] Craft, A., Cremin, T., Burnard, P., & Chappell, K. (2008). Possibility thinking with children in England aged 3 - 7. In A. Craft, T. Cremin, & P. Burnard (Eds.), Creative learning 3 - 11: And how we document it. Stoke-on-Trent: Trentham. doi:10.1016/j.tsc.2006.07.001
[16] Cremin, T., Barnes, J., & Scoffham, S. (2009). Creative teaching for tomorrow: Fostering a creative state of mind. Deal, Kent: Future Creative.
[17] Cremin, T., Burnard, P., & Craft, A. (2006). Pedagogy and possibility thinking in the early years. International Journal of Thinking Skills and Creativity, 1, 108-119.
[18] Cropley, A. J. (1992). More ways than one: Fostering creativity. Norwood, NJ: Ablex Publishing Corporation.
[19] Csikszentmihalyi, M. (1996). Creativity: Flow and the psychology of discovery and invention. New York, NY: HarperCollins.
[20] Csikszentmihalyi, M. (1999). Implications of a systems perspective for the study of creativity. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge: Cambridge University Press.
[21] De Bono, E. (1987). Six thinking hats. London: Penguin.
[22] Esquivel, G. B. (1995). Teacher behaviours that foster creativity. Educational Psychology Review, 7, 185-201. doi:10.1007/BF02212493
[23] Feldman, D. H. (1999). The development of creativity. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge: Cambridge University Press.
[24] Feldman, D. H., & Benjamin, A. C. (2006). Creativity and education: An American retrospective. Cambridge Journal of Education, 36, 319-336. doi:10.1080/03057640600865819
[25] Fryer, M. (1996). Creative teaching and learning. London: Paul Chapman Publishing Ltd.
[26] Fryer, M. (2003). Creativity across the curriculum: A review and analysis of programmes designed to develop creativity. London: Qualifications & Curriculum Authority.
[27] Gardner, H. (2004). Everyday creativity. In character: The creativity issue, Spring, 2005. URL (last checked 8 May, 2006) http://www.incharacter.org/article.php?article=35
[28] Gruber, H. E., & Wallace, D. B. (1999). The case study method and evolving systems approach for understanding unique creative people at work. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge: Cambridge University Press.
[29] Hennessey, B. A. (1995). Social, environmental, and developmental issues and creativity. Educational Psychology Review, 7, 163-183. doi:10.1007/BF02212492
[30] Hennessey, B. A. (2007). Creativity and motivation in the classroom: A social psychological and multi-cultural perspective. In A. G. Tan (Ed.), Creativity: A handbook for teachers. Singapore: World Scientific.
[31] Jackson, N., Oliver, M., Shaw, M., & Wisdom, J. (Eds.) (2006). Developing creativity in higher education: An imaginative curriculum. London: Routledge.
[32] James, V., Lederman, G. R., & Vagt-Traore, B. (2004). Enhancing creativity in the classroom. In M. Orey (Ed.), Emerging perspectives on learning, teaching, and technology. URL (last checked 8 May, 2006) http://www.coe.uga.edu/epltt/creativity.htm.
[33] Jeffrey, B., & Craft, A. (2004). Teaching creatively and teaching for creativity: Distinctions and relationships. Educational Studies, 30, 77-87. doi:10.1080/0305569032000159750
[34] Joubert, M. M. (2001). The art of creative teaching: NACCCE and beyond. In A. Craft, B. Jeffrey, & M. Leibling (Eds.), Creativity in education. London: Continuum.
[35] Kangas, M. (2010). Creative and playful learning: Learning through game co-creation and games in a playful learning environment. Thinking Skill and Creativity, 5, 1-15. doi:10.1016/j.tsc.2009.11.001
[36] Kaufman, J. C., & Begehtto, R. A. (2009). Beyond big and little: The four c model of creativity. Review of General Psychology, 13, 1-12. doi:10.1037/a0013688
[37] Lee, S. (2008). Child soldiers in classroom combat. Common Wealth Magazine, 395. URL (last checked 1 June 2008) http://english.cw.com.tw/article.do?action=show&id=10046
[38] Leung, K., Au, A., & Leung, B. W. C. (2004). Creativity and innovation: East-West comparison with an emphasis on Chinese societies. In S. Lau, A. N. N. Hui, & G. Y. C. Ng (Eds.), Creativity: When East meets West. Singapore: World Scientific. doi:10.1142/9789812567192_0006
[39] Lin, Y.-S. (2009). Teacher and pupil responses to a creative pedagogy —Case studies of two primary classes in Taiwan. Unpublished Doctoral Thesis, Exeter: University of Exeter.
[40] Lin, Y.-S. (2010). Drama and possibility thinking—Taiwanese pupils’ perspectives regarding creative pedagogy in drama. Thinking Skills and Creativity, 5, 108-119. doi:10.1016/j.tsc.2010.09.001
[41] Lucas, B. (2001). Creative teaching, teaching creativity and creative learning. In A. Craft, B. Jeffrey, & M. Leibling (Eds.), Creativity in education. London: Continuum.
[42] Mardell, B., Otami, S., & Turner, T. (2008). Metacognition and creative learning with American 3 to 8 year-olds. In A. Craft, T. Cremin, & P. Burnard (Eds.), Creative learning 3 - 11: And how we document it. Stoke-on-Trent: Trentham.
[43] Maslow, A. H. (1996). Future visions: The unpublished papers of Abraham Maslow (E. Hoffman, Ed.). Newbury Park, CA: Sage.
[44] Ministry of Education (MoE) (2003). White paper on creative education—Establishing a Republic of Creativity (R. O. C) for Taiwan. Taipei: Ministry of Education.
[45] National Advisory Committee on Creative and Cultural Education (1999). All our futures: Creativity, culture & education. Sudbury, Suffolk: Department for Education and Employment.
[46] Niu, W. (2006). Development of creativity research in Chinese societies: A comparison of Mainland China, Taiwan, Hong Kong, and Singapore. In J. C. Kaufman, & R. J. Sternberg (Eds.), The international handbook of creativity. New York, NY: Cambridge University Press.
[47] Ng, A. K., & Smith, I. (2004). Why is there a paradox in promoting creativity in the Asian classroom? In S. Lau, A. Hui, & G. Ng (Eds.) Creativity: When East meets West. Singapore: World Scientific. doi:10.1142/9789812567192_0005
[48] Oral, G. (2008). Creative learning and culture. In A. Craft, T. Cremin, & P. Burnard (Eds.), Creative learning 3 - 11: And how we document it. Stoke-on-Trent: Trentham.
[49] Parnes, S. J. (1963). Education and creativity. In P. E. Vernon (Ed.) (1970), Creativity: Selected readings. Middlesex: Penguin Books Ltd.
[50] Puccio, G. J., & Gonzalez, D. W. (2004). Nurturing creative thinking: Western approaches and Eastern issues. In S. Lau, A. N. N. Hui, & G. Y. C. Ng (Eds.), Creativity: When East meets West. Singapore: World Scientific.
[51] Rogers, C. R. (1954). Towards a theory of creativity. In P. E. Vernon (Ed.) (1970), Creativity: Selected readings. Middlesex: Penguin Books Ltd.
[52] Robinson, K. (2001). Out of our minds: Learning to be creative. Oxford: Capstone Publishing.
[53] Rowe, S. & Humphries, S. (2001). Creating a climate for learning at Coombes infant and nursery school. In A. Craft, B. Jeffrey, & M. Leibling (Eds.), Creativity in education. London: Continuum.
[54] Rudowicz, E., (2004) Creativity among Chinese people: Beyond Western perspective. In S. Lau, A. N. N. Hui, & G. Y. C. Ng (Eds.), Creativity: When East meets West. Singapore: World Scientific.
[55] Runco, M. A., & Chand, I. (1995). Cognition and creativity. Educational psychology review, 7, 243-267. doi:10.1007/BF02213373
[56] Runco, M. A., & Sakamoto, S. O. (1999). Experimental studies of creativity. In R. J. Sternberg (Ed.), Handbook of creativity (pp. 62-92). Cambridge: Cambridge University Press.
[57] Shaheen, R. (2010). Creativity and education. Creative Education, 1, 166-169. doi:10.4236/ce.2010.13026
[58] Smith. G. J. W. (2005). How should creativity be defined? Creativity Research Journal, 17, 293-295. doi:10.1207/s15326934crj1702&3_14
[59] Sternberg, R. J. (Ed.) (1999). Handbook of creativity. Cambridge: Cambridge University Press.
[60] Sternberg, R. J., & Lubart, T. I. (1999). The concept of creativity: Prospects and paradigms. In R. J. Sternberg (Ed.), Handbook of creativity. Cambridge: Cambridge University Press.
[61] Sternberg, R. J. (2003). Background work on creativity. In R. J. Sternberg (Ed.), Wisdom, intelligence and creativity synthesized. Cambridge: Cambridge University Press.
[62] Spendlove, D., & Wyse, D. (2008). Creative learning: Definition and barriers. In A. Craft, T. Cremin, & P. Burnard (Eds.), Creative learning 3 - 11: And how we document it. Stoke-on-Trent: Trentham.
[63] Sawyer, R. K. (2004). Creative teaching: Collaborative discussion as disciplined improvisation. Educational Researcher, 33, 12-20. doi:10.3102/0013189X033002012
[64] Torrance, E. P. (1963). Education and the creative potential. Minneapolis, MN: The University of Minnesota Press.
[65] Torrance, E. P., & Myers, R. E. (1970). Creative learning and teaching. New York, NY: Dodd, Mead & Company.
[66] Torrance, E. P. (1995). Why fly: A philosophy of creativity. Norwood, NJ: Ablex Publishing Corporation.
[67] Watkins, C., & Mortimore, P. (1999). Pedagogy: What do we know. In P. Mortimore (Ed.), Understanding pedagogy and its impact on learning. London: Paul Chapman.
[68] Wilson, A. (Ed) (2005). Creativity in primary education: Theory and practice (achieving QTS cross-curricular strand). Exeter: Learning Matters Ltd.
[69] Woods, P. (1995). Creative teachers in primary schools. Buckingham: Open University Press.
[70] Woods, P. & Jeffrey, B. (1996). Teachable moments: The art of creative teaching in primary schools. Buckingham: Open University Press.
[71] Wu, J. J. (2004). Recognizing and nurturing creativity in Chinese students. In S. Lau, A. N. N., Hui, & G. Y. C. Ng, (Eds.), Creativity: When East meets West. Singapore: World Scientific.
[72] Wu, J. J., & Albanese, D. (2010). Asian creativity, chapter one: Creativity across three Chinese societies. Thinking Skills and Creativity, 5, 150-154. doi:10.1016/j.tsc.2010.10.002
[73] Yeh, Y. C. (2006). Creativity teaching—Past, present, and future. Taipei: Psychological publishing.

Copyright © 2024 by authors and Scientific Research Publishing Inc.

Creative Commons License

This work and the related PDF file are licensed under a Creative Commons Attribution 4.0 International License.